![]() ![]() Next, you can emulate certain heads and combos so that your song is quite dialed in. You can learn the specific delays timings perfect for your new riff, combined with the proper chorus effects, and touch of fuzz to bring it to life. Particularly if you’re newer to the game of pedal alchemy, then multi-effects processors can be a great university of sounds in and of themselves. If you scroll further below, you’ll see a bunch of recommendations for multi-effects processors which are helping to redefine these machines as actually decent sounding all-in-one rigs, but first here are some different reasons why multi-effects processors might be a great choice for you. Nowadays, though pedal purists still have great reason to spurn multi-effects processors, those reasons are diminishing with each year. Fortunately, that same digital benefit has been bestowed upon multi-effects processors the modelled sounds continously get closer and closer to their analog counterparts. Which no doubt is why computers now are so much faster than the 90s. However, you’ve probably heard of Moore’s Law, talking about how electronics are able to get smaller and smaller, packing more of a digital punch every few months. In the 90s and 2000s, multi-effects processors were sort of like watching Citizen Kane in 240p, rather than on actual film. Why is that? Mostly because, though multi-effects processors pack thousands of dollars worth of pedals into one compact kit, the modelled sounds - being digitally reproduced - haven’t historically sounded quite the same as a real chain of analog fuzz faces, wahs, delays, and the like. ![]() As you’re searching for your proper pedal-board setup (or generally, your sound setup), you might feel super excited by the vast possibilities of multi-effects processors, and then suddenly feel hesitant to buy one. ![]()
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